{"id":1214,"date":"2022-02-01T11:07:40","date_gmt":"2022-02-01T11:07:40","guid":{"rendered":"https:\/\/kat-a.de\/?page_id=1214"},"modified":"2022-02-01T11:08:44","modified_gmt":"2022-02-01T11:08:44","slug":"thomas-struth-en","status":"publish","type":"page","link":"https:\/\/kat-a.de\/en\/thomas-struth-en\/","title":{"rendered":"THOMAS STRUTH (EN)"},"content":{"rendered":"

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THOMAS STRUTH<\/h2>\n
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[\/et_pb_text][et_pb_image src=”https:\/\/kat-a.de\/wp-content\/uploads\/2021\/11\/struth-2400-1280.jpg” title_text=”struth-2400-1280″ align=”center” _builder_version=”4.14.1″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_image][et_pb_text _builder_version=”4.14.1″ _module_preset=”592cb498-4f08-4a61-bc4c-40bc966a3adb” global_colors_info=”{}” theme_builder_area=”post_content”]Thomas Struth, Grafenberger Wald, Du\u0308sseldorf, 2006, C-Print, 265,7 x 600 cm, \u00a9 Foto: Ulrich Dohle[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row custom_padding_last_edited=”on|tablet” _builder_version=”4.14.0″ _module_preset=”default” width=”100%” max_width=”1115px” custom_padding=”|0px||0px|false|true” custom_padding_tablet=”|0px||0px|false|true” custom_padding_phone=”|0px||0px|false|true” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”4_4″ _builder_version=”4.14.0″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_text _builder_version=”4.14.6″ _module_preset=”default” text_font=”55 roman||||||||” text_text_color=”#000000″ custom_padding=”0px|51px|47px|51px|false|true” hover_enabled=”0″ text_font_size_tablet=”18px” text_font_size_phone=”16px” text_font_size_last_edited=”on|phone” global_colors_info=”{}” theme_builder_area=”post_content” sticky_enabled=”0″]<\/p>\n

Thomas Struth\u2019s work consists of a range of topics such as people in clearly defined environments, or also streets, city planning and nature. In his newest work, he devotes himself to global phenomena and takes pictures of technical systems such as nuclear reactors or spaceships. In his precise photographs, Struth is interested in the (reciprocal) seeing and perceiving of what seems to be familiar to get a clear view of the world as habitat. He mainly uses a large format camera, where he largely refrains from digital processing. At the center of Struth\u2019s work is \u201cprecise seeing\u201d and especially the relationship between the viewer and the object. In his work groups, he regularly questions perspectives of given photographic subjects, avoids habitual ways of seeing and thus expands the concept of photographic art. In his series of landscapes, he points to the presence of humans by showing their absence and their influence on the rural environment. In this way, the group of works called \u201cUnconscious Places\u201d displays mega-cities and forms a distinct contribution to urban anthropology.<\/p>\n

Thomas Struth was born in Geldern am Niederrhein in 1954. Struth lives and works in Berlin and New York.<\/p>\n

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Thomas Struth, Grafenberger Wald, Du\u0308sseldorf, 2006, C-Print, 265,7 x 600 cm, \u00a9 Foto: Ulrich Dohle<\/div>\n<\/div>\n<\/div>\n